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We have loved the Garnier for years, but our enjoyment of "Trumpe-le -Morte" a great production , was recently spoiled by very poor ventilatio n so we were perspiring and by uncomforta ble seating even w En ce moment, sur la scène de l'Opéra Bastille! De rencontre istres rencontre femme bordeaux rencontre filles pologne morsay rencontre zbatata. L'ouvreuse , accompagné e d'une personne de la sécurité, s'en sont pris à moi, en me disant qu'il est interdit de prendre des photos. A little surprised at the contempora ry costuming but it worked very well to tell the story.

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Tous au Carnaval des Aventuriers! Réservez vos billets dès maintenant: Réservez vos places pour le Gala de Première à l'Opéra Bastille le 20 mars prochain: Deux ballets sur la musique de Maurice Ravel.

Sections of this page. Email or Phone Password Forgot account? See more of Opéra national de Paris on Facebook. Pages liked by this Page. Opéra national de Paris added an event. Première le 20 mars Philippe Jordan Mise en scène: Benvenuto Cellini - Du 20 mars au 14 avril Nouvelle soirée moins de 40 ans demain au Palais Garnier.

Had a wonderful time at my first opera, the Rigoletto performanc e on June 5 at Bastille. A little surprised at the contempora ry costuming but it worked very well to tell the story. It was unfortunat e that there was a delay about 30 min. This did little to affect my enjoyment but perhaps re-opening the bar might have been a good idea.

The bilingual subtitles were very helpful as a newcomer to opera although English is only avaialble on the foward screens and a little difficult to read from rear orchestra seats. If I get to Paris again, I will definitely try to attend again.

In the past 2 years, I was lucky to attend multiple opera or dance performanc es at the National Opera of Paris. Performanc es typically take place, either in the Opera at the Bastille, or at the Opera Being an opera fan for many years, and having attended performanc es by different companies across Europe and the US, the Paris opera is high on my favorite list for the quality of the soloists and conductors it attracts, as well as for the quality of the orchestra and choir.

I enjoy the performanc e very much but I did not like the building to much. The entrance doors to the sits in the main hall are too heavy and people did not received any help to leave it open when get Not every one manage to hold them. We have loved the Garnier for years, but our enjoyment of "Trumpe-le -Morte" a great production , was recently spoiled by very poor ventilatio n so we were perspiring and by uncomforta ble seating even w It may be time for Paris Opera to invest in customer comfort.

Until then we will not return. So esthetical ly pleasing. The architectu re and interior decor is worth the price of admission. Every inch of the theatre is draped in rich red velvet and accented with gold. I was enchanted by the Cha Paris to Calcutta, his name is constantly on every tongue.

The fame of this hero knows no bounds save those of civilizati on itself; and he is not yet 32! The words of the novelist Stendhal about the young Gioachino Rossini seemed excessive. But then director Guillaume Gallienne, the th member of the Comédie-Fr ançaise, noticed that the great opera is described as a drama giocoso, a serious play with jokes, not as often played, an opera buffo, pure comedy. I see in it more an alternatio n of grotesque and gravity, inherited from Goldoni.

I wanted, with Éric Ruf who imagined the setting, to place the action in a decadent palace, whose traces of a past splendor have something painful. On the floor of the ashes, not so much that of the hearth as that of a volcano. Gallienne is ably assisted by designer Éric Ruf. Since Ruf has been the principal Director of the famous Comédie-Fr ançaise. They set the drama in Naples, literally atop the dormant, but threatenin g,Vesuvius.

Angelina, a sweet lump of a girl, has all the visual pizzazz of a large, mostly inert, lava flow. The court arrives like a somber visit from the local mafia. Angelina has been martyrized by her guardian — the parodicall y named Don Magnifico played with vaudevilli an panache by Maurizio Muraro. Neverthele ss, this Cinderella Teresa Iervolino finally triumphs. But, by the time of her wedding, this Angelina, an almost dim-witted Cinderella as conceived by Guillaume Gallienne, will have suffered, suffered, and then suffered some more.

The extraordin ary acting abilities of these singers almost overshadow their first-rate vocal skills. Rossini was just 25 years old when he wrote the music for La Cenerentol a in only 24 days.

At the Opera Garnier, his century-ol d opera feels like a youngster sowing wild oats. Very Inspiring place to go and see. I love Opera's and the interior and exterior of this place is just magnificen t. I saw Rigoletto last Friday with some friends while visiting from America as voice majors in college.

I was blown away by every aspect of the production and theater. Something I will always remember! I love Paris e La Opera national de Paris and concert hall! We bought the program by mistake it was in French and immediatel y asked for return.

Thank you for taking my 12 euro! The experience stays with you forever one visit is equivalent to going around the world. Wonderful historic building that comes to life when you watch a live performanc e.

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morsay rencontre zbatata

The fame of this hero knows no bounds save those of civilizati on itself; and he is not yet 32! If I get to Paris again, I will definitely try to attend again. Bipper Tepee Partner Tepee.

morsay rencontre zbatata

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morsay rencontre zbatata

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